We saw RotS last night, and I think this is the best one of the six movies, hands down. Like the other five the dialogue is still mostly crap—Lucas’s ability to make conversations between would-be lovers seem strained and wooden is almost impressive in a car-wreck sort of way–but I think the actors rose above it better than they did in Eps I and II, and they weren’t hamstrung by as many forehead-slappingly inane lines that plagued the first two. However, what really sets this one apart in my view is the tight storyline. Where Phantom Menace careened wildly from one thing to the next with just a weak connection between Big Scenes, RotS moved quickly but smoothly from one event to the next. Where Attack of the Clones struggled to set up storylines, each event in RotS seemed to evolve naturally from the last. Finally, what sets it above the previous high-water mark, Empire Strikes Back, is that the story has broader scope, more subplots, and a greater range between the triumphs and tragedies–especially for Anakin Skywalker.
The connections and echoes of events in the later movies are also numerous, and they provide a richer context. Some are ironic: Anakin Skywalker wielding a blue light saber to battle a Sith who uses a red one. Some are prophetic: Palpatine turning in his seat near a huge window in a tower to watch his current apprentice, and intended future one, battle with light sabers. Yet most importantly the movie gives new perspective on Darth Vader, both in how tenuously he holds onto life after ceasing to ‘really’ be Anakin Skywalker (which helps explain why losing a hand in Return of the Jedi could be instrumental in his death) and in how he yet clings to some humanity; to see the big meanie who was so threatening when I was a child cry out in rage and pain over the death of someone was certainly novel.
A lot of people have been quick to savage the previous two episodes; I’ll concede that the bad acting of IV-VI is usually preferable to the stiff acting of I and II since it’s at least more earnest, but I think a lot of the disappointment simply resulted from viewing some movies from an adult perspective and comparing them with movies loved as a child–when we couldn’t as easily see the flaws. Yet I think that tendency to belittle might obscure what an amazing job Lucas (or at least his design team) did in smoothly evolving elements–from Naboo fashions to clone-trooper armor to Alderaanian spacecraft design–through episodes I-III into forms that match up with the more familiar ones in episodes IV-VI.
Since a little before its release there has been some hubbub about political overtones in the story, but like racial slurs in Phantom Menace and Zen on mountaintops I think it was a matter of people bringing their own views into the theater and projecting them onto the screen. Really, I was looking for political needling, and all I could find were two lines:
Padme: So this is how liberty dies? With thunderous applause?
…
Anakin: If you are not with me, you are my enemy.
Could these be commentary on the current administration? Perhaps, but they’re also applicable to various leaders throughout history. This isn’t the first time, and won’t be the last, that an author explores how quickly people will give themselves over to darkness and oppression.